Publication Announcement – Tombstones to the Wind

Photo by Narcisa Aciko on Pexels.com

My short story Tombstones to the Wind is in the winter issue of The Sprawl Mag. Check it out here:

https://www.thesprawlmag.ca/vol-2-1

It is a brief moment in the lives of three generations of a family living in the aftermath of environmental collapse.

END

Head over to my author page to see what else I have written

Coming Soon – Silent Running

Bubbling with excitement, at my age you’d think I’d know better.

My second novella “Silent Running” will be coming out July 25th. This one is hard sci-fi, built around three strong female characters and their interweaving intentions. Head over to Lost Colony Magazine to read the preview and pre-order your copy.

PREVIEW – Silent Running – Lost Colony (lostcolonymagazine.com)

It is set in my Cluster Wars universe which some of you will know from my short story “The Lethe Cluster” and bits and bobs around this blog. More on this to come…

An Autobiography, Almost

Write what you know. And what do you know better than your own stories? (We’ll park the question of my notoriously poor memory.)

Published today at Piker Press, “Calculus, Charlotte and the Breaking of Waves” is at its heart a true story. Except the bits that have been inserted because I just can’t recall across the span of thirty years. And except for the barest little flush of magic. In fact, it is hardly magic at all, merely interpreting two things that were coincident, possibly correlated, into being causally related. Isn’t that what magic is? Reasons overriding reason.

For what its worth, this much is unequivocally true: I did visit family on Grand Cayman at the age of 16, their condo was right by the beach where the water was dominated by the wreck of the Gamma, and there was a gazebo where I would attempt to study. It was also the winter in which I finally cracked Calculus. As for the rest, you decide where to suspend your disbelief.

It’s not the first time I have used the formula: true recollection, judicious addition where age and uncertainty have left a fog, and a pinch of fairy dust. The first story I sold, and which has recently been reprinted is a case in point. The good people at (the now closed) Mad Scientist Journal first bought “An Absolute Amount of Sadness” in 2016 and Flame Tree found something resonant in it this year.

Varying the quantities affects the outcome. Perhaps my favourite of my published stories is “The Book of Condolence”, a collage of unrelated truths stitched together with pure invention. Dark House books picked up that one for “What We Talk About When We Talk About It”.

And now I think of it there is some central truth, some seed of reality in every story I have written, no matter how fantastical. The Girl Who Gives Me Sunsets (my favourite title of one of my stories) is a nickname for a dear friend, who coincidentally provided the Spice Girls facts that are the musical  motif of the story.

It could be as subtle as a turn of phrase, a symbol drawn in biro on skin, or the garage where I had my car repaired, there is always a kernel of truth, a part of me. In Calculus, Charlotte and the Breaking of Waves I am more present than in any of the others, but I am somewhere in all of them.

It leaves me wondering if it is possible to completely absent yourself from what you create.

While you ponder the answer, Calculus, Charlotte and the Breaking of Waves is this week’s featured story over at Piker Press and will be available at this link thereafter. Or follow the trail of links above to find other anthologies with my stories.

END

Publication Announcement – The Hornbill and the Lame Horse

This one has been available in Kindle format for a while but it took a bit longer to get the paperback ready.

I’m hoping it is an oddity you will enjoy. The brief from Phoebe, the publisher, was a creature-themed fairy tale punking. With me so far? Well, I decided to take things a bit further by making mine a mash-up of two traditional Sumatran tales.

The source material was from this wonderful book:

My original idea was to atompunk The Magic Crocodile and I might still write that one day. But the concept was not really coming together so I moved on to the story of An Honest Man – a good solid core to build on but it lacked an emotional punch. The Green Princess had that in abundance. From there, well you’ll have to read it to find out.

Let me know if you’ve ever read another punked Indonesian folk tale, I’m hoping mine is the first but definitely not the last.

Looking ahead, the lovely people at Flame Tree have agreed to reprint my story An Absolute Amount of Sadness in their immigrant sci-fi anthology. You can check out the author list on their blog. Regulars may recognise the title, it first appeared in Fitting In by Mad Scientist Journal (sadly no longer with us). They also published “The Girl Who Gives Me Sunsets” in Utter Fabrication, which remains my favourite title from one of my stories. Look out for that and a new novella in 2023

End

Find out more about my writing here.

The Healer of Kabul

*

I haven’t shared one of my own stories here for a while. In the light of what is going on in Afghanistan at the moment, and our fears for the rights of women and minorities, I thought I’d share something set in Kabul. It is a bit of action / adventure I wrote for a competition and it tries to look beyond the tropes of terror and insurgency to a more hopeful future. That hope is in pretty short supply right now.

The story got me into the next round of the competition. I hope you enjoy it.

The Healer of Kabul

Hana took a deep breath and steadied her nerves. From across the room Ester gave her a thumbs up.


“This is my signature piece,” Hana said, lifting a creamy bowl decorated with vivid poppies in bloom. She remembered the instruction to smile. “Anti-tank mines have a porcelain liner to make them harder to detect.” She put the bowl down and lifted another, dull beige with a hole in the base to show the original state. “Each liner is hand-painted, with a resin insert to make it watertight.” She gestured to the side. Ester panned the tiny GoPro around to show the display. “You can use them as planters, or for decoration, maybe to serve your favorite sweets. My country has seen so much violence. The reminders of it are everywhere. I hope to take these objects and show my people we can grow beyond war to lives of peace and beauty.”


Ester tapped the GoPro to stop recording. Hana took the opportunity to shrug off her abaya. It was stifling in the tiny shop.


“Perfect,” Ester said, “I’ll splice it together with our other segments. We’ll have your first promotional video ready in no time.” She clipped the little camera around her neck and glanced at her phone. “This is going to be a real success Hana, I can feel it.”


“A success for us both, Ester. We should be partners.”


Ester laughed and reached out to touch Hana’s cheek. “That’s not allowed, my dear. Anyway, no one works for a charity to get rich.”


The door to the tiny room opened, letting the clamor of Kabul’s traffic flood into the room. Ashar popped his head in.


“Finished?” he asked. Hana nodded, trying not to smile as she watched her brother’s eyes swing to Ester, softening in adoration. He was smitten by the tall German woman, even though she was technically old enough to be their mother.


Without shifting his gaze he waved a satchel by its strap. The flap was thrown open. The shop lights glinted off the grenades stuffed inside. “Delivery,” he said. Ashar didn’t have many words in any language, but he was smart enough to use them effectively.


Ester’s eyebrows shot up. “Are those…?”


“Hand grenades,” Hana said. She snapped her fingers to get Ashar’s attention and gestured for him to keep hold of them. He swung back into his seat under the awning in front of the shop.


“Are they safe?”


“This is Kabul,” Hana said, a little surprised that Ester was rattled. The flare of her nostrils gave Hana away, Ester shook her head and laughed. The German worked for a non-profit organization that promoted local artists in some of the world’s most troubled countries. She had an office in the highly protected Green Zone, and while she had arrived in a rickshaw, her armed guards had followed in a dented Pajero and now watched from the tea shop across the road.


Ashar’s shout from outside stalled the conversation. Hana bumped her hip hard on a table corner as she hurried to see, Ester hot on her heels.


A skinny man with a scraggly beard pulled at the strap of the satchel. Ashar tried to keep hold of it. With a yank the thief snatched the satchel, still loaded with its contents, from the boy’s grasp and leapt away onto the back of a waiting motorbike.


“Hey!” Ester yelled. She grabbed Hana’s arm and ran out into the street. A rickshaw idled by the side of the road, the driver squatting beside it, dragging on a cigarette and watching with disinterest. Ester leapt in. Without thinking Hana got in beside her.


“Follow them!”


The driver shrugged and looked away.


Cursing in German, Ester hopped into the driver’s seat thumbing on the GoPro. She stabbed the throttle and the rickshaw lurched away. Hana yelped as she over-balanced, shoulders slamming into the rickshaw’s metal frame. For a few paces the barking driver kept up with them. He reached in and grabbed a handful of Ester’s light headscarf. It fluttered away as they sped off down the little side street.


The motorbike was an aged, sputtering Honda. It hadn’t got far ahead. Ester twisted the handlebars to swing the rickshaw into the stuttering traffic on the main street. Horns blared as the rickshaw tipped on two of its three wheels. Hana threw herself the other way to counterbalance it.


Hundesohn!” Ester swore at the slow-moving traffic and hawkers with wheeled carts. She pumped her palm on the horn.


A gout of diesel smoke from a brightly-colored bus hid the motorbike for a moment. The air cleared. Two men pushing a heavy wooden cart laden with cages blocked the road, stalling the motorbike. The thief and his getaway driver twisted and backed up.


“Hold on,” Ester called over her shoulder.


They careened towards the motorbike. A crash was inevitable. The world slowed. Hana looked into the dark eyes of the thief. Cold, calculating. There was a menace there. Was it a crime of opportunity, or were they targeting her? A woman running her own business in this fiercely patriarchal country. A woman bringing a message of peace with the relics from fifty years of near-constant war.


In those agonizingly slow seconds, she realized this wasn’t about theft, it was about her.


The motorbike leapt away. Ester slammed on the brakes, hurling Hana forward. Hana’s face planted between Ester’s shoulder blades. Ahead of them chickens pecked and shuffled in their cages, entirely unconcerned.


Sheisse.” Ester hauled on the handlebars, manoeuvring around the cart and back into the chase. The road cleared for a few meters. The thief looked back from his pillion seat, held out the satchel and dropped it in the road.


“Stop.” Hana grabbed Ester’s shoulder and jumped from the slowing rickshaw. Her sandal twisted away from her foot. She hopped, jumped and landed on the satchel, smothering it with her body. She counted the seconds, dimly aware of horns blaring, shouts. From somewhere a long way away – Ester’s voice.


The grenades were all meant to be safe. Dismantled, fuses and explosive material removed, then reassembled. But the thief had known her and had dropped the satchel for her to pick up. He could have added a real grenade. She couldn’t allow innocent bystanders to be harmed for a vendetta against her.


Three breaths. Four. Plus the time it took to get to the satchel. If it was an old grenade the chemical fuse could have degraded. Five, six.


“It’s OK. I think we’re safe.” Ester’s shadow fell on Hana. It was brave of her, Hana thought, to come so close. She gripped Ester’s outstretched hand and got to her feet. Hana’s hijab was awry and a crowd of onlookers had gathered, unaware of the potential for mortal peril. She glanced around. They were more interested in the tall blonde woman in jeans and boots who had been driving a rickshaw. There was a beep as Ester switched off the GoPro that still hung around her neck.


Hana slung the satchel over her shoulder. “We’d better take that rickshaw back.”


Business boomed for a while. The promotional material Ester filmed in the shop may have won Hana some international sales, but it was the jerky video of an expletive-laden chase through the streets in a rickshaw that won Hana brief renown. The “Healer of Kabul” – a slightly built, modestly dressed, hijab-wearing young woman became a social media star. Those dignitaries that ventured outside the Green Zone looking for a photo opportunity or a souvenir from the real Afghanistan asked for her by name. Hana smiled and sold them her hand grenade candles and bullet kohl bottles.


Hana’s fame was waning by the time Ester managed to arrange an exhibition of Hana’s painted porcelain in Berlin.
“It seems a terrible risk,” Hana said, as they sipped tea in her small apartment. “You can’t seriously mean to buy all those pieces yourself.”


“The gallery is threatening to pull out and the sponsors are losing interest.” Ester shook her head. “There’s a Rohingya kid in Burma who makes kites that everyone’s gushing over now. That’s just the way of the world. But I believe in what you are doing here, Hana. I want the world to see it properly. I’ll buy the inventory and underwrite the exhibition. Are the crates ready to go?”


“Ashar has been packing everything carefully.” She smiled across at her brother. He’d grown more accustomed to Ester but was still clearly besotted.


For a moment Ester stared into her tea. Lipstick marred the edge of the glass. “I have an appointment with the customs people,” she said. “I’ll see you tomorrow.”


“Ashar, see Ester to her car please, then buy us some bread for dinner.”


Hana tidied while she waited for his return, humming to herself. The fading of her fame did not bother her the way it seemed to bother Ester. Her items still sold enough to make a decent living and Hana felt happy to be independent, able to support herself and look after her brother. For a long time that had been a distant dream. In a way her independence was a greater symbol of Afghanistan’s healing than the art she made.


Ashar was late getting back. He’d probably stopped to watch the local boys play soccer. By the time he wandered home the bread would be stiff and cold. With a sigh Hana readied herself to go and find him, tying on her hijab with practiced efficiency and shrugging into her loose abaya, and checking the deep pockets for all her necessities.
She opened the front door and stopped. Ashar stood in the doorway, his pose still and unnatural. There was a sharp stink. He’d wet himself. Tears stood in his eyes


“Ashar!” she started, angry and upset. He hadn’t done this for years. Then she saw the muzzle of the gun pointed at his ribs.


“Take the boy inside, tie him up and leave him. Someone will find him eventually. It’s the woman we want.” The gunman spoke in heavy, hill tribe Pashtu. She knew those eyes. The grenade thief. Fear rooted her to the spot as a bag went over her head and rough hands tied her wrists together. She stifled her scream into a sob. They had her brother.


Hana gasped as her shins caught on something hard. Someone pushed her into a van. They didn’t travel far, she guessed no more than fifteen minutes of bumping on the uneven roads and stuttering through traffic.


The bag came off in a large spartan room. There were two men. The thief and his getaway driver. Hana’s mind whirled. Why them? Why now?


The room was well lit. Her blood went cold. One wall was adorned with an ISIS flag. She turned around. On a heavy wooden table a GoPro pointed at the flag. The thief untied her hands and gave her a shove.


“On your knees.”


She slumped down. Tears dripped on the black cloth of the abaya. The thief wound a cover over his face, leaving only those cold eyes showing. He ranted a speech to the camera. Hana vaguely registered something about the erosion of values, the disease of liberalism. She couldn’t focus, she knew what was coming. Everyone knew someone who had been lost to war or insurgency. Not third or fourth hand but direct relations, close friends.


She’d made herself a target, the symbol of a different life, the different country Afghanistan could be. She could accept her fate, but who would look after Ashar?


She blinked away tears and stared into the camera. The camera. She knew that GoPro. She’d rehearsed in front of it, the scratches on the casing were etched into her memory.


“Ester,” she said, her voice hoarse.


The ranting thief stopped.


“Ester,” she said again. Clearly this time. Her voice pitched to carry. A shadow crossed the doorway.


“We’ll have to edit that out of course.” Ester stepped into the room. She nodded to the thief who took a couple of steps away from Hana towards the door and stopped, his hand resting on his gun.


“Is this some kind of game? A publicity stunt for the exhibition?” Hana asked, her voice rising as panic gave way to incredulity. She started to get to her feet but the jerk of the muzzle sat her back down again.


“Publicity, yes. But not a game.”


“You can’t be serious. Who are these men? Are they actors?”


Ester dropped to her haunches, eyes almost level with Hana. “Deadly serious, my dear. We had a good run, you and I. But I’m cashing out now. Can you see the headlines? The Healer of Kabul, a martyr for peace. If it’s any consolation your exhibition is guaranteed to be a success.”


“You said no one ever joined a charity to get rich.”


“I won’t be. Just comfortable, without worry.” Ester reached out to touch Hana’s cheek. “I’d need several more like you to be rich.”


Hana jerked away, slipping her hands into her abaya as she did so.


“Kill her,” Ester said to the thief, stepping back.


“Wait.” Hana pulled her hands out of the abaya. In her right hand she held a grenade. In her left, she held the pin.
Ester laughed. “Really? I know all about your grenades.”


“Do you? I want to heal my country Ester. I may dream of a better, peaceful Kabul. But I live in the real one. Do you really think I go about without protection?” The thief was backing away, the driver had his back to the wall and was sidling to the door. “Your henchmen don’t seem too confident.” Hana taunted, rising slowly.


“It’s a bluff. Kill her.”


Hana gave the thief a chill smile and tossed the grenade towards the door. One breath. There was a plink as the lever released and fell away, a pop as the fuse lit. The grenade skittered across the floor stopping just outside the door. Two breaths. Hana was already diving for the table, tipping it as she fell, the GoPro sliding off beside her. Three breaths. Hana’s shoulder hit the floor as she curled and covered her ears. She heard heavy footsteps pounding.


Scheisse.”


The explosion rocked the room, ripping plaster from the walls and ceiling, filling the air with dust. The house groaned, a crash reverberated over the echoes of the blast. A billow of new dust wafted over the edge of the table.


She crawled out into a monochrome world of plaster dust. Ester’s booted foot poked out of the rubble, motionless. A messy pile of spattered blood and shredded cloth was all that was left of the thief. Hana stumbled out of the room. The explosion had torn through the wall of the hallway leaving a gaping hole to the courtyard below.


The driver had made it some way down the hall. The blast had taken him in the back. His handgun lay a little distance away. She picked it up and slipped it into the pocket of her abaya, opposite from Ester’s GoPro.


Kabul was not yet the city she dreamed it could be, and it would take her a while to walk home to her brother.

END

You can find out more about my writing here

* If you’d like to lend me a Kabul streetscene to replace the Karachi scene above get in touch

Publication – Lifting the Weight

tbm-horror-experts-deaths-head-press-dig-two-graves

My story “Lifting the Weight” is included in this anthology from Death’s Head Press. A bit earthier and more violent than my usual fare, so be warned!

The narrator is a demon with a lust for wealth. Bad luck leaves him cursed by a necromancer, carrying a Weight that he can only relieve by righting wrongs. Following a tip off on a criminal gang he finds himself with a choice between his lust and his freedom.

Check it out on Amazon in the UK and US

Find out more about my writing here.

The Price of One – Short Story on Scarlet Leaf Review

IMAG1449_1.jpg

The Price of One – my ghost story / lyrical tour around London’s South Bank is in this month’s online edition of Scarlet Leaf Review.

The narrator is dead, and still very much in love. When a street vendor offers him a potion that brings him temporarily to life he and his heartbroken paramour grasp it with both hands.

Please head over there, give it a read, show it some love.

https://www.scarletleafreview.com/short-stories20/ali-abbas-the-price-of-one

The Footsteps of the Valiant

I had a tilt at the Bartleby Snopes dialogue only writing contest this year, an entirely new format for me. The rules are simple – only dialogue, no “he said”, no directions, just conversation. They keep the top five entries on the boil and reject everything else. I clung on for a few days, but inevitably got tinned.

That said I had a bit of fun with this and I hope you do to:

IMG_9966_7_8

Studded Door

 

The Footsteps of the Valiant

 

“Who’s there?”

“Archon? Archon, is that you?”

“It is. Child, you don’t sound like one of my regular guards.”

“No, your holiness. Far from it. I have come to save you.”

“Bless you daughter, but you are taking a terrible risk. Flee, before they find you.”

“Don’t worry; no one will be coming for a while. Your long captivity is almost over.”

“How can you be so sure?”

“The guards on this watch have been bribed. They’re all looking away.”

“‘By their own greed shall they be undone’ as it says in Acolytes Three.”

“Yes, your Holiness.”

“What is it that you are doing? All I can hear is a scratching at the door.”

“Trying to pick the lock. This one looks like a regular forbidding dungeon door with a big unsophisticated lock that a halfwit gaoler can manage, but it turns out to be surprisingly complex.”

“Well, they have had me locked up in here for a long time, I’m sad to say you are not the first devout soul with fire in your belly and righteousness in your heart to try and save me.”

“I know, there are memorial cobbles hidden throughout the city with the names of the holy martyrs.”

“Cobbles?”

“They prise one up, engrave it and replace it overnight. There’s also a threnody that is sung by everyone in attendance: “The Footsteps of the Valiant”, it’s quite a moving tune.”

“Cobbles are not lacking in humility I suppose.”

“You are a prisoner of the state Holiness. They could hardly erect statues.”

“No indeed. How are you getting along with that lock?”

“It won’t be long; the Duke had a similar one on his strong room. There’s a trick to it.”

“I see. I take it the path of righteousness has not always been the one you have chosen?”

“No your holiness I’m a thief. I don’t actually have any of that belly or heart stuff. Your followers got tired of sending each other to certain death trying to save you. They hired me. I’m a professional.”

“So what about that business with the holy martyrs and the cobbles?”

“It never hurts to empathise with the client. Especially when the client thinks they have a cause. It can get you ten, maybe fifteen basis points on the price. Bitter, hard bitten pros with no emotional intelligence have to sell their services at a discount.”

“My goodness, I had no idea it could be so complicated. I must admit I’m not sure how I feel about being rescued by someone who has not been saved.”

“Oh it’s your flock that are saving you. The money was raised by subscription. As best I can make out, you’ve had everyone from widows and orphans contributing pennies, to businessmen putting an entire year’s profits into the fund. It was very touching, but of course it doesn’t pay to get sentimental.”

“But you are the one who is doing the saving.”

“‘Judge not the sword, but the hand that wields it.’ That’s from Ruminations Six.”

“You know your scripture!”

“Good research on the client, adds another ten points to the price every time. Those surly hero guys hanging around in taverns half drunk and unshaven really don’t know what they’re doing. I have an office, and a secretary. Prospective clients get cinnamon tea and a brochure.”

“I suppose that makes me feel better about it. How is that lock coming?”

“Nearly there. Just one turn…got it. Stand back your Holiness. There’s a torch out here, and the sudden light may be painful.”

“That won’t be a problem.”

“Oh.”

“To be fair, no one else has ever got this far. We’ll have to review security arrangements.”

“Gosh. It’s rather nice in here isn’t it?”

“Well, there had to be some trade-off for being locked up all these years.”

“Your carpets are as good as the Duke’s and I happen to know that’s a third century jade vase.”

“You’re an educated woman.”

“Well, yes. But that one I stole to order for…”

“That was you? God bless you. It was originally stolen from the Church by the second Hieromancy. ‘It will profit them not the things they take unto themselves. For all shall be returned to its rightful place in time for judgement.’ Divination Twelve, in case you were wondering.”

“It seems I’ve been an agent for the Church before then. It’s good to know we’re on the same side.”

“Indeed. If you like what you see here, you should come out onto the balcony.”

“How do you have a balcony in a dungeon?”

“Come and see.”

“Oh. Oh my word.”

“It’s quite something, isn’t it?”

“I never imagined there would be a cavern inside the mountain. Where does the light come from?”

“As I understand it there are crystals in the rock that run right the way up to the surface. Or they redirect light to each other or some such. It does give the whole thing a lovely glow. And the rainbow over the waterfall is almost permanent.”

“I did wonder why you stayed here.”

“I am a prisoner, child.”

“Yes, but there are stories about how you gave sermons in two villages at the same time. I always wondered why someone who could do that would allow themselves to be locked up.”

“You believe the stories? I’m surprised.”

“I stole some records from before the dissolution of the Church. The parishes kept records of who came and went.”

“You really do your research very thoroughly.”

“Thanks, I had an intern do the actual data work.”

“And these records showed me in two parishes at the same time?”

“Yes, and it happened more than once.”

“Unfortunately it’s not a miracle or some God given power. The truth is a little more prosaic. I served four parishes as a young priest, and I had to walk from one to another. I wasn’t actually that devout, and they were all about fifteen miles apart around the Sky Lake.”

“I know, I have the records, remember?”

“Yes, but what you have to factor in is that two of the parishes were in a different diocese.”

“So?”

“I got paid by the sermon. I knew no one would cross check the records from one diocese to the other. They used to hate each other.”

“You were fiddling your attendance to get paid more.”

“Wouldn’t you?”

“I’m a thief, not a fraudster.”

“I always thought putting around the story that I was able to perform miracles by being in more than one place at a time was quite inspired.”

“Divine inspiration?”

“I wouldn’t go that far.”

“I take it you aren’t coming with me then?”

“Not as such, no.”

“You can let go of my arm.”

“You see, the Duke and I have an arrangement. He needs the people to believe in something to stop them falling for heathen influences. And the firebrands have a predictable cause to rally around. It makes them easier to track.”

“You’re quite strong for an old man.”

“You see those spars and blocks in the corner?”

“Yes.”

“That’s actually exercise equipment. I also do yoga. I’m in pretty good shape for someone who hasn’t been outside in a decade.”

“Do you have to grip so tight?”

“The arrangement serves the church as well. Nothing keeps the people as devout as a live case of someone suffering for their souls. Donations have never been so high, even though the services are held in secret.”

“I imagine that saves a lot in overheads.”

“You’re very astute. Church buildings are in need of constant repair. This way the worthy lend us their houses, and I’ve cut an entire layer of management out of the structure. It’s very efficient.”

“My arm is hurting pretty badly, do you think you could let go?”

“I’m afraid not. There are very few people who know what is happening. Even the guards just pass what they think they’re feeding me through a hole in the door. My meals actually come on a dumb waiter from the palace kitchens.”

“I’m really pleased for you, but I really think I ought to get going. I only bribed one shift of guards and they’ll change soon.”

“And there’s the rub. The arrangement works because it is secret. And a secret is only a secret if no one knows it.”

“Penitents Seven?”

“Good guess. Penitents is a go to book if you’re in doubt because no one ever reads that one, but actually that is all my own.”

“It’s an awfully long way down.”

“‘He who dies to serve the faith shall live for ever.'”

“Does it matter that I’m a she?”

“Not to God. On the plus side, maybe you’ll get your own cobblestone.”

 

THE END

If you are interested in my writing take a look here

 

The Lesser Evil

IMG_5333-1small

The Lesser Evil

(Harry Potter Fan Fiction)

 

“Why does she keep touching you?” Ginny asks the question lightly, as if enquiring about the weather. She doesn’t even look at me as she leafs through the newspaper. There’s no suggestion that this is different to the quiet routine of our evenings when the kids are away at school.

I don’t answer. The armchair has me in its grip, too exhausted to move. My work is meticulously filed, my reports thoroughly written. So different from my school days. Diligence delays the moment of my return to this place.

“I just think it’s odd. Any excuse to put her fingers on you, hold your hand.” Now she does look up. My eyes are closed but I can feel her gaze, still and curious. “At dinner on Sunday she wiped that smudge of icing off your cheek.”

The speech must have been rehearsed. All the while I was in the office she would have stared into one of my pictures and worked on the pacing and intonation. The questions are to put this into the realm of another’s fault. It’s not Ginny. It’s not me. It’s the other woman. How strange she is, this interloper in our lives. How maddening to us both the quirks of her behaviour.

Ginny knows if she brings the locus here, into our living room, into something between us, it would be to invite the blame to sit at our hearth and add its silent accusation.

“I hadn’t noticed.” The lie falls easily into the space she has left for it.

“I don’t mind for my own sake, but she’s married to my brother.” Sub text: your best friend. “You know how he can get.”

I do know how he can get. His anger I can handle. It is a red thing, a live flash that can be doused and cooled. The sister, my wife, she’s like me. Her rage is black, deep and lasting. You might mistake the coals as dark and cold, but put your hand on them and they will stick to your skin, burn through to the bone.

“I’ll tell her to stop.” I know she’ll reject my opening offer in this negotiation.

“That would be weird.”

“You tell her.”

“That would be worse.”

“Then I’ll stay away from her.”

“That would be best. Just don’t make it obvious you’re avoiding her.”

“Ok.”

“Ok.”

The silence returns, blanketing. For her the task has been accomplished. How could we possibly be to blame? The problem was outside of us, beyond our hearth. Accountability has been localised there, as has the response. There is no more to say on the subject. Unless it is a test, a tableau and trap, a probing of my own responses. Sitting by my own fire, I can’t let down my guard.

When there is a sufficient distance, the taste of the last conversation a memory, she asks “How was your day?”

“Tiring.”

“Still the same case?”

“Yes.”

“Any leads?”

“None. Just a trail of bodies.”

“There’s nothing in the paper.”

“Just the obituaries, otherwise we’re keeping it quiet.”

“Those were reported as old age and natural causes.”

“They weren’t.” I have to get out of this house. The constant wariness is kicking me deeper and deeper into a well of fatigue. “I’m going to get some air.”

“Would you like me to come?”

“It’s OK, I need to get the day out of my system. I’m not great company right now.” Subtext: It’s not your fault. You’re OK, I’m not OK.

“I’ll keep dinner warm for you.”

“Thanks.”

I leave the house without my coat. It is a miserable, frigid February. I consider going back for it, but the door opens and it floats out by itself to settle on my shoulders. The fact that she still cares only makes this harder.

Just outside the village a path veers off from the road and heads off across the fields and farms, shielded by hedgerows. A stream winds its way through, heavy with a month of rain. I stop on the little hump backed bridge and stare into the water. It’s too dark to see my reflection. That’s just as well.

Sometimes in the mirror I can see the shadows. He’s left his mark on both of us, a stain that can’t be removed. Funny how I can’t say His name any more. I used to shout out it so bravely, so cavalierly when He was something I could fight.

I wish there was something I could turn my anger onto now. Someone I could charge at, my head down, heedless of the consequences and howl invectives. A sink into which I could pour the constant bubble of my resentment.

I was forged and scarred in war; I can’t live in a time of peace.

The path here seemed so natural, so obviously correct, and as easy to take as the path to the bridge. We had won a war and lost half a generation. The bodies of our friends lay broken amid the ruins of Hogwarts. In that bittersweet aftermath how sane it seemed to grab whatever happiness was available, share it between us. We knew it might be lost in an instant. We married young, bore children to fill the void.

The danger did not return. How easy to look back now and say “Had I known then what I know now, I would have chosen differently.”

That is a lie. We did not have it in us to do that. Could we have walked away? Could I have said to my closest friend, my brother-in-arms “This happiness you have found is less than the happiness I deserve”? Could I have admitted to the girl who waited for me, “You were only ever a safe haven, a refuge I found from the sacrifice I made for your brother”?

She is here. The one. The destiny that was so obviously written for me that I resisted it, fought against it like it was a prison coming to claim me. The one who was the very best of us. She respected my need for freedom even though it meant she settled for an ordinary man.

Her arm snakes its way around my waist. There is warmth against the chill. I rest my head on the soft bed of her curls. She puts her head against the hammer in my chest. The skittering chaos of my heartbeat slows and steadies. The rest I should have found at home seeps into my bones, scorning the chill and the drizzle.

“How long?” I need to pace this respite.

“He’s discovered Netflix and Quentin Tarantino. He won’t realise I’ve gone for a while.”

The kiss is simple and sustained. An umbilical that feeds us both. A union.

The moon is up. She steps back and by its light pulls away a few hairs that have stuck to my coat. She drops them in the river, and then she’s gone. I wait, listening to the stream and then follow her back into the village, past the glowing windows of her house and into mine.

 

* * *

 

Ginny is curled, foetal against my back. Part of me wants to turn around and offer her some comfort. She is as much a victim of bad decisions and the change of time as anyone. And she has carried the burden of His presence, as I did. That deserves a bottomless well of compassion.

I can still smell the other lingering in my arms, on my breast. If I turn around and hold Ginny, she will know someone has been in her place. Not offering her comfort is a lesser evil, a mercy that she will not ever understand or appreciate.

Compassion, comfort, mercy. So easily confused with love in the fear and alarum of battle. So obviously not love when the dust settles.

Sleep has only claimed me for a little while when the tapping comes. A folded card is marking a regular tat tat tat on the bedside table. The words printed neatly on the inside glow gently in the dark.

“What is it?” A sleepy question. Night will reclaim her in moments.

“Work, I have to go.”

“Be careful.” Mumbled, and then she has drifted away.

I slide out of bed, careful not to let the cold in. I change in the kitchen, well away from the bedroom so I don’t wake her. I stir up the fire and add another log. When it is crackling I add a handful of powder. It flares green and I step through.

I emerge in a room which is frigid and dark. The small fireplace behind me, long unused, spits out dust. I step to one side. My partner appears. Best friend. Brother-in-arms. Cuckold.

Her perfume is heavy on him, beneath it their sweat. My hackles rise. I fight the urge to lash out.

“Harry? Is that you?”

“Yeah.”

Light emerges from wand tips.

The corpses are a couple. Very old. They could have died in their sleep, both sitting in their armchairs, a small coffee table between them. The man’s face is twisted in horror, as if he has been scared to death. The woman looks bewildered. There is not a scratch on them, no sign of violence. Nothing else has been disturbed.

There are pictures on the mantelpiece: the couple in younger, healthier times, a young woman who could be a grand daughter, and another couple with a toddler, who could have been the same young woman in her infancy. None of the images move in their frames. This is new; thus far all the victims have been wizards and witches, old and living alone.

I try to concentrate on the faces in the pictures, but my senses are flooded with the smells he has brought in with him. They cut through the cold air and the death stink. He moves around the room, knowing there is nothing to find. I stand still, jaw clenched. The ink stain on the inside of my ribs aches. It marks the place where the Dark Lord had his grip and was ripped out by my own death.

I feel it seep up and around me, loosening my grip on my magic. I stamp on it. Hard.

There is a change in the air, a scrape of claws on the carpet. A dog bursts in at ankle height and gives a single bark.

“Stupefy.”

“Silencio.”

He muffles the sound, I stun the dog. My spell blasts it back down the narrow hall, sliding across the floor into the kitchen to lie limp and still.

“Steady on Harry.” Ron’s spell was better, considered and proportionate to the threat. We are here to find clues and clear up the evidence of death by magic, not unleash our anger on a small West Highland Terrier.

“Someone could pick out its memories. Had to be sure.” Another lie that slips out easily. He falls for it, as he does every time. It is a lie that suits many purposes. He’ll tell his wife, who will know it is nonsense, and she will seek me out to comfort me. I’m getting too good at this.

“Good thinking.” He casts his light around the room. “Let’s finish up here, I doubt we’ll find anything, but we have to be sure.”

“Yeah.”

He goes out, leaving the ghost of her scent behind in the room.

 

* * *

 

Work passes slowly the next day. There is paperwork to file on the deaths, adding to the roll call of a serial killer. No one in the magical community has been stirred by them yet. The victims are all old, their deaths expected. Families are saddened but not surprised, the police have no evidence on which to hang suspicion. Only a few of us carry the burden of knowledge.

A junior Auror has left background research on the murdered couple on my desk. Brian and Edith Leahy of Gosport. Brian was in the late stages of terminal cancer, but refused palliative care because of Edith’s dementia. He would not let her live alone, or in a hospice. Fifty years of marriage, one son with his family had moved to Denmark. Brian had cared for Edith through years of his own illness. The bland facts of the lives snuffed out are an injustice. There should be more to show for that devotion. I leave the report on my desk.

On the roof of the Ministry, I stare at the leaden sky. The old couple had precious little time left, and their deaths were perhaps a blessing in disguise. I lean over the parapet and dry heave. A dribble of spit falls onto the streets of London. Once I fought for those precious moments of life. I should aspire to be like Brian Leahy, and if that is not possible then at least to mourn his death.

In the afternoon we gather round curled scrolls and notes pinned to a board. We scrub hands through our hair and over tired eyes. We have no leads, no clues. The only reasonable surmise is that there is a dark wizard at work. I know what I have to do next. Ron’s not happy about it, and he wants to come too. That would be an escalation. There is history here, and that needs to be respected.

I leave him at the office and appear outside the gates of the old manor house. It is as forbidding as I remember from the last time I came here, bound and beaten. They make me wait. It is an important part of a valid wariness, a demonstration of who is coming into whose domain.

Lucius sits at the head of his dining table. The only light in the room is from the enormous fireplace. He tries to sit up straighter when I am shown in, tries to sneer, but he is a broken shadow of a man. He has the dark rage too, but in him it is the pathetic whining of a cur. There is a goblet in his right hand, which trembles with the knowledge of his impotence. His left hand snaps onto his right wrist to steady the goblet, and then in a burst of furious action he hurls it into the fire.

There is a snap as a house elf appears, diving into the fire to retrieve the goblet and emerging with its rags a-smoulder. I don’t flinch and I don’t react. He mumbles to himself and then calls for more wine.

It takes a few minutes for Draco to appear. His is lean and tall and gaunt. Pale as a ghost. He shows me into his study wordlessly. Only when the door is closed and the unwelcoming halls are locked out does he speak.

“Why are you here?”

“I need information.”

“I thought ferreting out things you weren’t meant to know was your particular skill.”

I don’t rise to it. Eventually he motions me to a chair. From a sideboard he pours two drinks, and puts one on the coaster in front of me. He doesn’t sit. He stands at the window and looks at me in its reflection.

I take a sip. Fire-whisky. It is smooth and sharp like a goblin made knife.

“There’s a serial killer on the loose.”

“Should I be worried?”

“He’s targeting the very old and infirm.”

“Maybe I should invite him in. He could be doing me a favour.” He looks out through the walls to where his father sits.

“It looks like the work of a dark wizard. Killing curses. Six so far.”

“You think of dark wizards and you come here. Should I be flattered?” There is bitterness in his voice. His family are still wealthy beyond the dreams of avarice, but their power and influence is much diminished among ordinary wizarding folk.

“Six deaths. Someone is trying to emulate your old master.”

“Why would they tell me about it?”

“Because if there is a rising of dark wizards they will need you and your money.”

He laughs at that, a genuine display of mirth. “You never had real money. You don’t stay this rich by giving it away to every madman with fire in his eyes.”

I don’t have an answer to that. The black rage is in me, clawing under the surface, but I am in his domain and I need his help.

He keeps looking at me in the reflection and occasionally sips his drink. “The war’s over. Why are you still fighting?” He turns from the window to look at me directly and answers his own question. “You’re looking for a wall to bash your head against. You’ve won, and now you don’t know what to do with yourself.”

“There’s always something to fight for.” It’s a weak answer. I’ve ceded ground to him, and he knows it.

“No. The things you fight for in peace are simple, prosaic. Raising yourself to see to the kids at night, resisting the urge to shout at them, letting them grow into who they want to be.” He pauses, looking for the key to get in. “Keeping the fires of passion burning when the fuel is spent.” I know I have not reacted, but he nods slowly to himself with the ghost of a smile. “I lost in the war and I’ve won more from it than you have, because I can live in the peace.” He hasn’t taken his eyes off me. “That isn’t enough for the Chosen One though, is it? You need the big achievements, the cries of acclaim. It’s not enough to be a hero in your own household.”

He’s echoing my own thoughts from the day before. Knowing that his mind has taken him to the same place as mine makes me feel like I’m wearing soiled clothes. I’m running out of the patience to take his barbs. “Do you know who is behind the killings?”

“No. It’s not anyone who looks to me and mine.” He goes back to looking at me in reflection. “But there are whispers in the wind.”

“Tell me.”

“Whispers that tell me this is as much your doing as anyone’s.”

My grip tightens on the glass. It is goblin made, no pressure I could put on it would make it break. I could use it to hammer the manor house into rubble. “What do you mean?”

“I said your skill was ferreting out secrets. I learned about Polyjuice potion from you. Your exploits have launched a whole industry making invisibility cloaks. None of them a shadow on yours, of course.” He swirls the little that remains in his glass. “And then there was your odd behaviour in the battle. Everyone else was fighting for their lives and you were chasing round the school looking for a trinket. Word gets out, people make connections.” He laughs again. “You burst out of the bank on a dragon. People have worked out you were looking for objects connected to the Dark Lord. The word being whispered in secret places is “‘Horcrux’.”

“That’s not a word many people know.”

“You’re deluded. In any case you might take an interest in a book that went missing from the school library. Very dark magic, very highly restricted.”

“Do you know who took it?”

“‘Who’ could be anyone.” He finally moves away from the window and drops into the chair on the other side of the desk. “One of my own businesses is selling ready made Polyjuice potion. Just add a hair and you can be anyone you please.”

“Do you keep a list of your clients?”

“Just the interesting ones.”

“I’ll need to see it.”

“It’s at the shop. Stop by tomorrow. I’ll tell them to expect you.”

I put the glass carefully back on the coaster. He shows me out by a side door and we don’t exchange pleasantries.

The study was stuffy and the whisky was heady stuff. I walk for a few miles trying to come to terms with what is happening, trying to hold in the horror. Someone is trying to make a Horcrux. Someone wants to split their soul to make themselves immortal through cold blooded murder. Alone now, I let my body shudder and shake. It’s a hideous thought.

I don’t go straight home. I wait on the bridge. It’s late. She won’t come at this hour, but even the faint hope of it is better than the sterile confines of home. And then she is there, slipping into the circle of my arm. She gives me a fierce, tight hug and rests her forehead on my cheek, breathing heavily. The whisky still clouds my lips. She replaces her forehead with a kiss and then she’s gone.

 

* * *

 

“Any message for the kids?”

“You’re going to Hogwarts?”

“Following up on a lead. There was a book stolen from the library. I thought I might stay for lunch while I’m there.”

“Just tell them I love them.”

“They’ll hate that.”

“Then make sure you do it in front of all their friends.”

I leave with a smile. The kids do that to us. They give us a shared purpose; push the darkness into a corner. I go to the office first and brief Ron on the evening’s discussion. He offers to get the list of customers from the shop. He doesn’t like going back to Hogwarts, and I don’t press him on it.

The school gates show signs of repair. Ancient stones alongside fresh cut new ones. It’s like that throughout, except for those parts that had to be torn down entirely. I look in on Neville first. He’s elbow deep in muck in the greenhouse, but still puts out a hand to shake mine before withdrawing it with a rueful smile.

“How are the kids getting on?”

“They don’t have green fingers, but they pay attention. They’ll be fine. How’s Ginny?”

“Fine, she sends her regards.”

“This isn’t a social call.”

“No. What do you know about the book that was stolen?”

“It’s baffling really. Middle of the day, the library was busy. The alarms on the restricted section went off. We’ve accounted for all the children, and none of them set off the alarm.” He stops for a minute, washing the dirt from his arms. “The thing is the book went after we’d cleared the library, but before the detection spells were reset.”

“I’ve heard invisibility cloaks are becoming more common.”

“They are. We’ve confiscated several, but they’re not that effective. We had four teachers in there scouring the place. Someone got by us, picked up the book and got out again without us noticing.” He steers me out towards the hall for lunch. “We’ve told the students it was a drill.” He puts a hand on my arm to stop me. “I sent a report to Ginny, this used to be her department. Now she’s back at work I thought you’d know all the details.”

“Ginny didn’t come back to work.” That had been the plan, once the children were all at school and her days would be empty. “It’s not been the right time.” He doesn’t pry, and I thank him silently for that.

“The report will be on her desk.”

“I’ll look for it.”

After lunch I go to the library. My Auror’s badge opens up the restricted section for me. There’s thick dust everywhere. The house elves are not allowed to clean in here. Only one shelf has been disturbed. The stolen book is back in its place, and has been put there recently. Whoever put it back didn’t trigger the alarms this time. He’s getting better, more skilled, more cunning.

Before I leave I open up the map. I trace the familiar parts of the castle and look for names I recognise, the children of friends. The new additions to the castle aren’t on the map, and students seem to walk through walls and then disappear entirely as they pass through remodelled sections. I spot my sons moving between lessons. Another name catches my eye as I begin to fold the map away. Disappearing off the edge is Ginny Potter.

I open out the map again and rub my finger over the spot where I saw her name, but there is nothing there now.

I have a sick feeling developing in my stomach. By the time I get back to the office, Ron has gone. He’s taken the customer list with him. I sit at my desk for some time, rubbing my scar for the first time in ages. It hasn’t troubled me at all since the battle, but I feel its presence on my head now.

I go to the bridge first. I need courage before I walk into my own home. I need to be grounded, certain. I also need to see the customer list, to confirm or close the yawning pit of suspicion that is opening up in front of me. That means going to Ron’s house, which is a sweet torture all of its own.

I haven’t given her the signal. Somehow she knows I need her. She arrives out of breath, wearing a lighter autumn coat. She stops short of me, her expression haggard and wan. Suddenly her lips are on mine. Her kiss is not the chaste, dry connection of lips we have indulged in up to now. She is impatient and hungry. I ease her away, gently at first, and then a little more forcefully.

“Please, no,” I gasp. She pushes my arms away and begins pulling at my coat buttons. “Remember what we agreed,” I beg. It’s increasingly difficult to turn her down.

“I need you,” she growls.

“I know. I feel the same, but not now, not like this.” This time when I push her away, she stays back. Then in a swirl of her coat she has gone.

I gulp big lungfuls of air. On top of all the confusion I don’t need this right now. I give her ten minutes and then follow. Ron answers the door. He has a hollow look in his eyes. “There’s something I don’t understand,” he says.

“Ginny’s on that list of customers.”

“How did you know?” His jaw is slack in surprise.

“It’s just a sick joke. Let me handle it.” Another lie without a flicker on my conscience. I don’t take the list, I don’t need it. As I turn to leave I see the coat rack in their hall. There’s no sign of the autumn coat. I keep turning, avoiding the desire to stare, or rush over and check. I’ve been incalculably stupid.

At home Ginny is sitting in an armchair by the fire. Her wand is on the table, well out of her reach. I stand at the door to the living room. Where do I start this conversation?

She saves me the trouble. “I forgot about the map. The cloak doesn’t fool the map, does it?”

“No.”

“When they test my wand they’ll know it was me.” Her voice is matter of fact. There is none of the anger that bubbles inside of me, stifling me. I force out a single word.

“Why?”

“Be more specific.” It is a fair challenge. There is so much here I don’t understand. I can’t form a more pointed question. Eventually she offers information to break the silence. “They were all old. Very old, near death. I may only have stolen days from them, months at most.” There’s a glass of wine in front of her. She dips her finger into it and flicks the drops into the fire. The alcohol burns off, and then the drops sizzle against the logs. She does it six times over, once for every life.

“He’s still in here.” She sucks the wine off her finger and then points it at her chest. “The way He’s still inside you.”

“We don’t have to be what He wanted to make us.”

“No, we don’t. But to be free of Him I have to get Him out.” She looks up at me at last. Her eyes are calm, her breathing is steady. “It’s a fantastic idea, don’t you think? Carve out the diseased part of my soul into a Horcrux and destroy it.” She looks away. “Maybe then I can be the woman you need, rather than a fellow prisoner.” She looks at me again, still wholly in control. “I thought I had found a way to fix what’s broken inside me, and now I’m prepared to face the consequences.” She stands up and holds out her hands, wrists together. “Another successful case for the great Auror, finding the killer in his own home.”

“You killed six people.” It’s not a question. It’s barely a statement. I still can’t process what she has done.

“I admit it. My only regret is that I didn’t succeed. I just didn’t have the hate and malice it takes to create a Horcrux.” She puts her hands down at her side. “Just remember that I did it because you wouldn’t face our problems head on to fix them. Brave Harry, ready to die for the world but turns and runs from his dysfunctional marriage.” The turn of her head fails to hide a little sneer of disgust. “I haven’t indulged in the escape you’ve given yourself.”

“You know.”

“You’re an imbecile Harry,” she scoffs. “I knew before you even began. I cracked your little code ages ago. I’ve followed you out most evenings, watching your childish hand holding and baby kissing.”

“My cloak.”

“Our cloak. What’s yours is mine, what’s mine is yours. For better or worse.”

“Was today the first time you impersonated her?” This is safer territory, I can handle my own betrayal better than her brutality.

“Maybe.”

My mind races through every meeting on the bridge. How often was it my own wife in disguise? Which moments of infidelity were partial, of the heart and mind only, not of the body? That must have been so much worse. If I pick apart the reasons, trace her motivations, somewhere under the darkness and beyond the insanity I’ll find myself. I can’t run from this. No one can save me from it. We’re in it together.

“What do we do now?” I ask.

We stand facing each other for an age. The fire dies down to a dull glow. I pick up her wand from the table. There is an acceptance in her eyes. Through all this she has been more courageous than me. Mad and remorseless, but also courageous.

There is a need for accountability and a penance. Someone has to pay for what has happened. For the sake of our children I cannot let it be her. My question is not hers to answer. I have the answer inside me. The murders will go unsolved, but they will stop. We’re already in the prison we have built for ourselves.

I snap the wand across my knee and throw into the remains of the fire. The flames flare up briefly, and then sink back. Her eyes widen in surprise.

“What do we do now?” she asks.

“The only thing we know how to do. Fight the darkness.”

THE END

I initially put forwards the bones of the relationship theory in this story in this post

All the characters, components and paraphernalia above belong to JK Rowling and/or her publishers. The story itself is my original work, it is intended as an homage to the wonderful world Ms Rowling created.

If you are interested in my writing take a look here